The Wife Drought by Annabel Crabb | Book Review

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‘I need a wife’

It’s a common joke among women juggling work and family. But it’s not actually a joke. Having a spouse who takes care of things at home is a Godsend on the domestic front. It’s a potent economic asset on the work front. And it’s an advantage enjoyed – even in our modern society – by vastly more men than women.

Working women are in an advanced, sustained, and chronically under-reported state of wife drought, and there is no sign of rain.

But why is the work-and-family debate always about women? Why don’t men get the same flexibility that women do? In our fixation on the barriers that face women on the way into the workplace, do we forget about the barriers that – for men – still block the exits?

The Wife Drought is about women, men, family and work. Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author’s work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.

Crabb’s call is for a ceasefire in the gender wars. Rather than a shout of rage, The Wife Drought is the thoughtful, engaging catalyst for a conversation that’s long overdue.

+++ Image and blurb from Penguin Books Australia +++

 

5 Bring-on-the-Rain Stars

I picked up this book with the assistance of the Adelaide Writers’ Week – to whom I am always grateful for boosting the diversity of my reading – but I had seen Annabel before on TV and when she interviewed Stephen Fry at the Dunstan Playhouse. Needless to say, the title alone sparked my interest, as many organisations and Government offices in Adelaide have restructured their management opportunities for women advancing up the professional ladder. Obviously, these changes have been accompanied by backlash, confusion and a whole lot of head scratching silence – as these ‘women only’ roles are considered to circumvent meritocracy and only give the workplace a healthy gender statistic. So naturally, with these changes taking place around me and the book questioning the assumed social roles of women and men, I had to read it.

Annabel Crabb manages to deliver a humorous and insightful perspective of the pressures faced by women and men in the professional spheres. Yes, this book delivers the hard truths that women who wish to pursue professions are often deterred, judged and criticised when wanting a family and a career – as the societal assumption that women are defined by their family and men by their job is still a giant spectre hovering over us. Therefore, women who wish to continue with their career need the support offered by a wife. Crabb by no means expects the partner to leave work to and perform the lion’s share of housework and childcare, but the work and childcare are shared and there is open communication between the couple to support each other in their career pursuits.

Another great point Crabb touches upon is the derision and confusion men face when they want to take parental leave or reduce their hours to spend more time with their families. To the extent that one man was asked not to involve himself in his young daughter’s Year 1 classroom activities, as is was a space for mothers and children. These social assumptions not only affect relationships and career growth but hinder the potential economic growth that can be achieved when women and men are happier in their work-family-life balance.

 

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Annabel Crabb – ABC political journo and presenter of the excellent TV show, Kitchen Cabinet.

Crabb offers facts, personal experiences, interviews and statistics with a flair and passion that makes the information understandable and motivational. She concludes her book perfectly, that this drought is not only affecting women’s careers but men’s family life and therefore rain is good for all parties. So I recommend this book to everyone who is curious how out-dated assumptions of the roles of women and men in the home and workplace still affect careers and family life. Whilst some knowledge of the Australian political figures would be handy, it is not necessary as Annabel guides you effortlessly through the maelstrom that is Australian political history.

 

Blood and Circuses by Kerry Greenwood

Australia is undoubtedly a ‘new’ country in the terms of recorded history, and it makes research hard for any contemporary author. Do not mistake me, there is a lot of good Australian historical fiction that has been wonderfully researched, but many lack the glamour and style that Kerry Greenwood’s Phryne Fisher series has in spades. I first experienced Miss Fisher as the television adaption created by the ABC, which enchanted me with the decadent costumes, Australian sets, and the vivacious characters. Even with an entertaining two seasons of Miss Fisher, I wanted more, so I turned to reading the original novels.

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The Honourable Miss Phryne Fisher is a modern woman for 1928; sporting a black bob cut, luxurious clothes, a wealth of money, and an abiding desire for handsome young men. Phryne left her family behind in England and returned to her birth place, Melbourne, where she soon discovered that she had an aptitude for work as a ‘lady detective’. This novel is the sixth in the series and had a very different approach, and I am divided on whether I liked it or not. The previous five novels had Phryne working her way through the various levels of Melbourne society, conducting her investigations with an air of confidence and a degree of stylish sleuthing. However, in Blood and Circuses, Phryne is bored with her comfortable life, and is persuaded to help her carnival friends to help the ill-fated Farrell’s Circus.

Phryne doesn’t know how to help her friends but she decides it would be easiest to go undercover, to get close to the circus people by being amongst them. She becomes Fern Williams, an aspiring horseback performer who is eager to ask questions on the questionable future of the circus. As Phyrne busies herself into the circus scene, a valued member of the troupe, Mr Christopher, is brutally murdered in Melbourne. Not to fear as the reliable Detective Inspector Jack Robinson is called onto the cast. A former trapeze circus performer, Miss Parkes, is suspected of the murder but Jack is not convinced. The evidence to convict her was so easily found, and killer needed a more sinister motive than any Miss Parke can hold. Greenwood begins to deepen the mystery by including the unrest stirring between two gang circles of lower Melbourne, and a hushed organisation known as ‘EXIT’ smuggling wanted criminals out of the country.

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Jack suspects the sudden gang violence is not only related to EXIT but remotely linked to the troubles of Farrell’s Circus, which means that Phryne buried herself in very dangerous territory. Whilst the Police deals with the murders and gangs, Phryne was having equally hard time find a place in the circus life. She was being ignored, snubbed, and the victim of vicious circus gossip; the strong and wily Miss Fisher that was established over the last five novels was being stripped away. Phryne found that she missed the distinction of her wealth and position, and she had returned to her impoverished youth (which was a living nightmare for Phryne).  She did find allies, and a new lover, but it is not enough to stop her from falling into the hands of the dangerous Mr Jones, the man expected of bringing misfortune on the circus.

This wild element of fear and loneliness really clashed with my image of Phryne, questioning if I truly liked her. Thinking about her sudden incapability to take control of her situation, Phryne still manages to fight those in control, which I still see as a test of true strength and honest resolve, all admirable. Blood and Circuses is one of the better mysteries so far; as Greenwood takes us beyond the scintillating parties and high fashion of Phryne Fisher’s known element, to a completely different society that lives on the fringes of normal society and operates under its own rules.